Catch Me If You Can

I had the distinct privelege of working for director Steven Spielberg on his film "Catch Me If You Can" on approximately ten visual effects shots. We had the task of quickly creating a view of a cloudscape and New York from inside the plane. It was a relatively simple task of keying blue screen footage on top of flame generated cloudscapes and city backgrounds; one that I still remember fondly given the stature of the film.